> Skip to content
FEATURED:
  • New Editor-in-Chief Named
Sign In
  • Latest
  • Advice
  • Opinion
  • Webinars
  • Online Events
  • Data
  • Grants
  • Magazine
  • Store
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
  • Jobs
    • Find a Job
    • Post a Job
    • Find a Job
    • Post a Job
Sign In
  • Latest
  • Advice
  • Opinion
  • Webinars
  • Online Events
  • Data
  • Grants
  • Magazine
  • Store
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
  • Jobs
    • Find a Job
    • Post a Job
    • Find a Job
    • Post a Job
  • Latest
  • Advice
  • Opinion
  • Webinars
  • Online Events
  • Data
  • Grants
  • Magazine
  • Store
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
  • Jobs
    • Find a Job
    • Post a Job
    • Find a Job
    • Post a Job
Sign In
ADVERTISEMENT
Advice
  • Twitter
  • LinkedIn
  • Show more sharing options
Share
  • Twitter
  • LinkedIn
  • Email
  • Facebook
  • Copy Link URLCopied!
  • Print

A Twist on the Usual Hard-Hat Picture

By  Sue LaLumia
August 5, 2011
Moving Pics Ballet 2 2017

When the Houston Ballet conducted an endowment campaign for its new Center for Dance, which opened in April, its public-relations team turned the traditional topping-off ceremony into an exciting event with a simple idea:

Put dancers at the construction site! Put hard hats on their heads!

Moving Pics Ballet 3 2017

“Buildings are built every day,” notes Shauna Tysor, the ballet’s public-relations manager. Instead, she says, the organization decided to emphasize its mission. “Go with what’s unique about your organization,” she urges. “With your photo, you can remind people what it’s for: ‘Oh, it’s for dance,’ not ‘Oh, it’s a building under construction.’ ”

We're sorry. Something went wrong.

We are unable to fully display the content of this page.

The most likely cause of this is a content blocker on your computer or network.

Please allow access to our site, and then refresh this page. You may then be asked to log in, create an account if you don't already have one, or subscribe.

If you continue to experience issues, please contact us at 202-466-1032 or help@chronicle.com

Moving Pics Ballet 2 2017

When the Houston Ballet conducted an endowment campaign for its new Center for Dance, which opened in April, its public-relations team turned the traditional topping-off ceremony into an exciting event with a simple idea:

Put dancers at the construction site! Put hard hats on their heads!

Moving Pics Ballet 3 2017

“Buildings are built every day,” notes Shauna Tysor, the ballet’s public-relations manager. Instead, she says, the organization decided to emphasize its mission. “Go with what’s unique about your organization,” she urges. “With your photo, you can remind people what it’s for: ‘Oh, it’s for dance,’ not ‘Oh, it’s a building under construction.’ ”

The dancers and entire company were excited, said Ms. Tysor, and wanted to help in any way possible. Clearly, teamwork is a top priority at the ballet. The public-relations team was determined to produce multipurpose photos that all departments could use in their efforts, especially the fund raisers.

ADVERTISEMENT

For The Chronicle, this image turned out to be perfect to accompany an article highlighting the results of our annual survey of nonprofit endowments. In print, the picture appeared on the front page and online it graced the most prominent spot on our home page. Now you can find it residing on a page that highlights all of The Chronicle‘s research.

Year after year, the endowment study is one of the most difficult to illustrate because endowments and investments are not visual. But not this year. The Houston Ballet’s creative thinking is an ideal example of making photos work. A single image tells the story, and the sort of photo shoot that produced it could easily work for a lot of other organizations. In the ballet’s case, all that was needed were dancers and a construction site. And two hard hats.

We welcome your thoughts and questions about this article. Please email the editors or submit a letter for publication.
Communications and Marketing
ADVERTISEMENT
ADVERTISEMENT
  • Explore
    • Latest Articles
    • Get Newsletters
    • Advice
    • Webinars
    • Data & Research
    • Magazine
    • Chronicle Store
    • Find a Job
    Explore
    • Latest Articles
    • Get Newsletters
    • Advice
    • Webinars
    • Data & Research
    • Magazine
    • Chronicle Store
    • Find a Job
  • The Chronicle
    • About Us
    • Work at the Chronicle
    • User Agreement
    • Privacy Policy
    • California Privacy Policy
    • Gift-Acceptance Policy
    • Site Map
    • DEI Commitment Statement
    • Chronicle Fellowships
    The Chronicle
    • About Us
    • Work at the Chronicle
    • User Agreement
    • Privacy Policy
    • California Privacy Policy
    • Gift-Acceptance Policy
    • Site Map
    • DEI Commitment Statement
    • Chronicle Fellowships
  • Customer Assistance
    • Contact Us
    • Advertise With Us
    • Post a Job
    • Reprints & Permissions
    • Do Not Sell My Personal Information
    • Advertising Terms and Conditions
    Customer Assistance
    • Contact Us
    • Advertise With Us
    • Post a Job
    • Reprints & Permissions
    • Do Not Sell My Personal Information
    • Advertising Terms and Conditions
  • Subscribe
    • Individual Subscriptions
    • Organizational Subscriptions
    • Subscription & Account FAQ
    • Manage Newsletters
    • Manage Your Account
    Subscribe
    • Individual Subscriptions
    • Organizational Subscriptions
    • Subscription & Account FAQ
    • Manage Newsletters
    • Manage Your Account
1255 23rd Street, N.W. Washington, D.C. 20037
© 2023 The Chronicle of Philanthropy
  • twitter
  • youtube
  • pinterest
  • facebook
  • linkedin