> Skip to content
FEATURED:
  • Philanthropy 50
  • Nonprofits and the Trump Agenda
  • Impact Stories Hub
Sign In
  • Latest
  • Commons
  • Advice
  • Opinion
  • Webinars
  • Online Events
  • Data
  • Grants
  • Magazine
  • Store
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
  • Jobs
    • Find a Job
    • Post a Job
    • Career Advice
    • Find a Job
    • Post a Job
    • Career Advice
Sign In
  • Latest
  • Commons
  • Advice
  • Opinion
  • Webinars
  • Online Events
  • Data
  • Grants
  • Magazine
  • Store
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
  • Jobs
    • Find a Job
    • Post a Job
    • Career Advice
    • Find a Job
    • Post a Job
    • Career Advice
  • Latest
  • Commons
  • Advice
  • Opinion
  • Webinars
  • Online Events
  • Data
  • Grants
  • Magazine
  • Store
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
    • Featured Products
    • Data
    • Reports
    • Collections
    • Back Issues
    • Webinars
  • Jobs
    • Find a Job
    • Post a Job
    • Career Advice
    • Find a Job
    • Post a Job
    • Career Advice
Sign In
ADVERTISEMENT

An Award That Honors Master Craftspeople

Dhanraj Emanuel, Photo by Dhanraj Emanuel
The Face of Philanthropy
  • Twitter
  • LinkedIn
  • Show more sharing options
Share
  • Twitter
  • LinkedIn
  • Email
  • Facebook
  • Copy Link URLCopied!
  • Print
By  Nicole Wallace
July 9, 2024

At first blush, the funding interests of the Maxwell/Hanrahan Foundation seem like an eclectic mix — field-based science, craft, teaching, and protecting the natural world.

What ties the areas together is that they all require hands-on commitment from people who have a deep dedication to their field and that they’re often underfunded and underappreciated, says program officer Rebekah Frank. That’s why supporting innovative people in those fields is a big part of the foundation’s grant making.

“We want to support people first and foremost, rather than ideas or outcomes,” Frank says. “We believe that creative people who explore the world are discovering new meanings about how the world works, and that creative, curious people who are doing interesting and unique work can be found in really unexpected places.”

We're sorry. Something went wrong.

We are unable to fully display the content of this page.

The most likely cause of this is a content blocker on your computer or network.

Please allow access to our site, and then refresh this page. You may then be asked to log in, create an account if you don't already have one, or subscribe.

If you continue to experience issues, please contact us at 571-540-8070 or cophelp@philanthropy.com

The funding interests of the Maxwell/Hanrahan Foundation are an eclectic mix — field-based science, crafts, teaching, and protecting the natural world.

What ties the areas together is that they all require hands-on commitment from people who have a deep dedication to their field and that they’re often underfunded and underappreciated, says program officer Rebekah Frank. That’s why supporting innovative people in those fields is a big part of the foundation’s grant making.

“We want to support people first and foremost, rather than ideas or outcomes,” Frank says. “We believe that creative people who explore the world are discovering new meanings about how the world works and that creative, curious people who are doing interesting and unique work can be found in really unexpected places.”

One way the foundation does that is through prizes like the Maxwell/Hanrahan Awards in Craft program, which is administered by United States Artists and currently in its third year. In May, the foundation named five recipients, each of whom received an unrestricted $100,000 award.

“We trust that people know what they need,” Frank says. “One of the biggest things we’ve heard from the awardees is that the award provides them time.”

ADVERTISEMENT

Some honorees have paid off debt or used the money for a down payment on a house, while others have gone back to school, purchased equipment for their practice, or focused on a new series of work.

One of the 2024 award winners, Ibrahim Said, shown here, is a third-generation ceramicist who learned traditional pottery methods from his father growing up in Egypt. Now based in North Carolina, Said’s elegant vases are in museum collections around the world.

Said says the award feels like recognition for his body of work and the sacrifices he’s made for his craft — and that it’s a chance for him to reinvest in his imagination. “Life is not easy, especially when you’re working with art,” he says. “It just makes you continue. You feel like you’re in the right place.”

Ibrahim Said is a ceramicist whose practice recognizes the rich cultural heritage, techniques and history of the pottery industry from his hometown of Fustat, Egypt. Combining wheel throwing, hand-building and surface adornment Ibrahim pushes the physical limits of clay while engaging, respecting and building upon a lineage of Egyptian pottery. Said is a recipient of the 2024 Maxwell/Hanrahan Awards in Craft.
Dhanraj Emanuel
Ibrahim Said is a ceramicist whose practice recognizes the rich cultural heritage, techniques and history of the pottery industry from his hometown of Fustat, Egypt. Combining wheel throwing, hand-building and surface adornment Ibrahim pushes the physical limits of clay while engaging, respecting and building upon a lineage of Egyptian pottery. Said is a recipient of the 2024 Maxwell/Hanrahan Awards in Craft.

A version of this article appeared in the July 9, 2024, issue.
We welcome your thoughts and questions about this article. Please email the editors or submit a letter for publication.
Executive Leadership
Nicole Wallace
Nicole Wallace is features editor of the Chronicle of Philanthropy. Follow her on Twitter @NicoleCOP.
ADVERTISEMENT
ADVERTISEMENT
SPONSORED, GEORGE MASON UNIVERSITY
  • Explore
    • Latest Articles
    • Get Newsletters
    • Advice
    • Webinars
    • Data & Research
    • Podcasts
    • Magazine
    • Chronicle Store
    • Find a Job
    • Impact Stories
    Explore
    • Latest Articles
    • Get Newsletters
    • Advice
    • Webinars
    • Data & Research
    • Podcasts
    • Magazine
    • Chronicle Store
    • Find a Job
    • Impact Stories
  • The Chronicle
    • About Us
    • Our Mission and Values
    • Work at the Chronicle
    • User Agreement
    • Privacy Policy
    • California Privacy Policy
    • Gift-Acceptance Policy
    • Gifts and Grants Received
    • Site Map
    • DEI Commitment Statement
    • Chronicle Fellowships
    • Pressroom
    The Chronicle
    • About Us
    • Our Mission and Values
    • Work at the Chronicle
    • User Agreement
    • Privacy Policy
    • California Privacy Policy
    • Gift-Acceptance Policy
    • Gifts and Grants Received
    • Site Map
    • DEI Commitment Statement
    • Chronicle Fellowships
    • Pressroom
  • Customer Assistance
    • Contact Us
    • Advertise With Us
    • Post a Job
    • Reprints & Permissions
    • Do Not Sell My Personal Information
    • Advertising Terms and Conditions
    Customer Assistance
    • Contact Us
    • Advertise With Us
    • Post a Job
    • Reprints & Permissions
    • Do Not Sell My Personal Information
    • Advertising Terms and Conditions
  • Subscribe
    • Individual Subscriptions
    • Site License Subscriptions
    • Subscription & Account FAQ
    • Manage Newsletters
    • Manage Your Account
    Subscribe
    • Individual Subscriptions
    • Site License Subscriptions
    • Subscription & Account FAQ
    • Manage Newsletters
    • Manage Your Account
1255 23rd Street, N.W. Washington, D.C. 20037
© 2025 The Chronicle of Philanthropy
  • twitter
  • instagram
  • youtube
  • facebook
  • linkedin